As Steve and I trekked midway up the East Bay Hills, I had no idea that this venture would send me on a lifelong audio quest. The warm school day was over, and two juniors headed upwards towards a rocky overlook. We were out to catch more than the stunning views of the San Francisco Bay. Few knew of the place. It was private, someone’s backyard really. The owners never seemed to be home, couldn’t see us, or were simply cool with uninvited guests.
Steve led the way, negotiating the climb with one hand grasping the handle of his oversized Sony. Finally, we ascended to the most level spot and sat. The radio rested to Steve’s left, and with his right hand he reached into his shirt pocket for the roll we had stopped at his house for. Steve had elected to quit football, his prior passion. This in turn put his parents on high alert for pot use. His room was an easy search like other sparse equivalents in 1968, but who would think of sliding off the handlebar grips on his Schwinn. He was proud of that hiding spot.
As the evidence of our activities wafted upwards and eastward, so did any thoughts of trespassing and drug possession. Hey, I was with someone way cooler than myself, so there was nothing to fear. Steve switched on the elegant Sony FM. I believe it was monaural, but was a behemoth relative to the lightweight transistor radios many teens often stuffed under their pillows at night. The roughly four inch speaker seemed massive at the time to a sheltered teen.
Across the bay emanating from the hills of Marin County, invisible waves overrode the liquid variety below, tickling the antenna of the Sony. The analog signal graced the clear air space, then free from the current blanket of cellular transmissions. Many a signal strength meter would have been pegged to the right as ‘underground rock’ now rose to our rocky perch. At a frequency of 106.9 MHZ KMPX emerged…K MultiPleXed that is, or stereo in common terminology.
As one song ended, we would sit silent and mesmerized for the next eight plus minutes. It was the first time I would hear the full version of Suzie Q from Creedence Clearwater Revival. Long jams by the Dead, Airplane, and Quicksilver were not gracing the AM airwaves, but The Door’s Light My Fire broke through. The piece itself was gripping, and the quality was of an uncommon nature for the times. It was rumored that the Doors used a prototype box created by Ray Dolby to record it, long before his namesake logo graced nearly every cassette deck.
On our perch, the ambient noise level was nil, and it was lower in those times of less air travel and fewer vehicles. The higher quality of the FM signal emanating from the Sony entranced me. Had Steve’s father owned some MacIntosh equipment and pair of Klipschorns, well, it would have certainly been a different launching point, to say the least.
But at this moment, it seemed as if Fogerty and company were jamming in the garage of his El Cerrito home below us. The typecast ‘swamp rocker’ didn’t immediately garner air play from the swankier side of the bay, he wasn’t ‘psychedelic’ enough. So in this extended version, John merely waved his Fender inches from his amp, and plucked his interpretation of the James Burton riff. As a result of the powerful feedback he generated, CCR gained acceptance for their entry into the ‘San Francisco sound’.
This episode with Steve launched my lifelong journey for higher fidelity. The following handful of years remained lean for this student, and I was relegated to scouring the Allied and Lafayette Electronics catalogs. But one day, seductively sitting inside a Pacific Stereo store was a Harman Kardon 330B. Making two plus dollars an hour and having no credit made this purchase unlikely. But there was HFC on Shattuck Ave. And for $10 a month for two years, the $180 floor model was now in my possession. Yes, a mere 33% premium to secure the beauty, but it was worth every dollar. I paired it with couple of three-way DIY speakers, later a Pioneer turntable, and I was set…for a while.
A move to Chicago facilitated my deeper dive into the audio world. The long winters, along with greater income and a slow developing social life, gave me the time and means to buy, build, and modify audio equipment. My new Harman Kardon 730 was awesome, which over time I regretfully over-modified until it was inoperable. I ponied up for a Hafler, but it came up short compared to the HK 730 in my opinion.
So through the years I owned NAD, Denon, Rotel, and more. Five figure amps were out of the question. Then in the early 2000’s while out doing a call for work, I parked a couple of blocks north of my customer on Broadway. I glanced into the window of a pawn shop on my left, and there it was, a pristine looking HK 730. I apprehensively entered, and inside a couple of shady dudes were hanging out, seemingly checking out my logo- bearing polo shirt. Behind the counter sat the owner.
How much,” I asked him as I pointed.
Eighty dollars, big sound, big sound. Let me hook it up for you,” he said walking over to grab it.
“No thanks, I’ll take it,” I said, risking that the impulsive purchase may have issues, but I had the technical know-how to correct many problems. I just wanted this transaction done ASAP. I again perceived the scrutiny of the two guys. Were they trying to see just how much cash I would extract from the front pocket of my Dockers? I prayed they wouldn’t simultaneously exit as I briskly lugged the twin-powered receiver out the door. Without looking back, I hurried up the street and uneventfully slid the gem onto my back seat. Ah.
Currently, just the amp section of the HK sits in an open frame with new capacitors and wiring. A Bluesound Node Nano streamer, Soekris 1421 DAC, and Schiit Audio Lyr+ direct the signal to the HK. DIY Floorstanders with Seas drivers ideally match with the 18X20 foot room, tuned with diffusion and absorption. Also, the gear is on a dedicated circuit. Power cords, speaker wires, and audio interconnects have all been upgraded to augment the excellent sonics.
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| The remaining amp section of the HK730 |
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| The front end and speakers. |












